Monday, November 14, 2011

Confessions of a Shopaholic

  • Get ready to fall in love with the adorable Becky Bloomwood (Isla Fisher) in the hilarious romantic comedy CONFESSIONS OF A SHOPAHOLIC. Living in glamorous New York, Becky desperately wants a job writing for a high-fashion magazine. She gets her stilettos in the door when she gets a job writing a personal finance column at a sister publication. Much to her surprise, her column, "The Girl In The Gr
Fall in love with the adorable Becky Bloomwood (Isla Fisher) in the hilarious romantic comedy Confessions Of A Shopaholic. Becky s desperate for a job writing for a high-fashion magazine in glamorous New York. She gets her stilettos in the door writing a personal finance column at a sister publication. Much to her surprise, her column, The Girl In The Green Scarf, becomes a hit, and she falls head over high heels for her handsome, overworked boss (Hugh Dancy). But Becky has a secret that leads to so! me hilarious high jinks that could unravel it all. From the best-selling novel, and featuring the perfect comedic cast, it s the feel-good romantic comedy you ll fall in love with over and over.

After Wedding Crashers, Definitely, Maybe, and the underrated Lookout, doll-faced Australian transplant Isla Fisher was well positioned to graduate to leading lady. Unfortunately, fellow Aussie P.J. Hogan’s version of Sophie Kinsella’s British book series isn't the best showcase for her talents as the movie is even more shallow and predictable than it sounds (Hogan got his start with Muriel’s Wedding). Fisher plays Rebecca Bloomwood, a writer with more enthusiasm for accessories than articles. When her employer, a gardening magazine, goes out of business, she tries her luck at fashion bible Alette, but winds up at a dull financial rag instead (Kristin Scott Thomas has glamorous fun playing Alette). Fortunately, her understanding ne! w editor (Hugh Dancy, Ella Enchanted) encourages Becky ! to devel op her own breezy style. Soon, the Girl in the Green Scarf, her columnist alter-ego, is the toast of Manhattan, but the Girl fails to take the same sensible spending advice she dishes out. As her career progresses, her credit card debt increases until a rival (Leslie Bibb) helps to expose her on national television. Everyone abandons Becky, except for her frugal parents (Joan Cusack and John Goodman), until she finds a way to redeem herself. It's hard to argue with the film's message, but Confessions wants to have it both ways: to encourage women to shop until they drop while making them feel lousy about it. As with Sex and the City and The Devil Wears Prada, costume designer Patricia Field assembles an endless parade of eye-popping outfits --Kathleen C. Fennessy


Stills from Confessions of a Shopaholic (Click for larger image)

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The Diving Bell and the Butterfly: A Memoir of Life in Death

  • ISBN13: 9780375701214
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young childen, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life. By the end of the year he was also the victim of a rare kind of stroke to the brainstem.  After 20 days in a coma, Bauby awoke into a body which had all but stopped working: only his left eye functioned, allowing him to see and, by blinking it, to make clear that his mind was unimpaired. Almost miraculously, he was soon able to express himself in the richest detail: dictating a word at a time, blinking to select each letter as the alphabet was recited to him slowly, over and over again. In the same! way, he was able eventually to compose this extraordinary book.

By turns wistful, mischievous, angry, and witty, Bauby bears witness to his determination to live as fully in his mind as he had been able to do in his body. He explains the joy, and deep sadness, of seeing his children and of hearing his aged father's voice on the phone. In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves. Fed only intravenously, he imagines preparing and tasting the full flavor of delectable dishes. Again and again he returns to an "inexhaustible reservoir of sensations," keeping in touch with himself and the life around him.

Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly.

This book is a lasting testament to his life.We've all got our idiosyncrasies when it comes to writing--a special chair we have to sit in, a certain kind of yellow paper we absolute! ly must use. To create this tremendously affecting memoir, Je! an-Domin ique Bauby used the only tool available to him--his left eye--with which he blinked out its short chapters, letter by letter. Two years ago, Bauby, then the 43-year-old editor-in-chief of Elle France, suffered a rare stroke to the brain stem; only his left eye and brain escaped damage. Rather than accept his "locked in" situation as a kind of death, Bauby ignited a fire of the imagination under himself and lived his last days--he died two days after the French publication of this slim volume--spiritually unfettered. In these pages Bauby journeys to exotic places he has and has not been, serving himself delectable gourmet meals along the way (surprise: everything's ripe and nothing burns). In the simplest of terms he describes how it feels to see reflected in a window "the head of a man who seemed to have emerged from a vat of formaldehyde."

NHL Carolina Hurricanes Street Plate

  • One 12" x 6" Street flair plate
  • Made from recycled aluminum
  • Features your favorite team logo
  • Made in USA
This Sundance Film Festival award winner, focuses on a troubled teen trapped by the city, planning for the day that he can make a new life with his uncle in New Mexico. Just when he is on the verge of realizing his dream, a stunning turn of events creates a dark vortex that threatens to pull him down...unless he can engineer his escape. 16 x 9, Letterboxed.  Important Note: This film has been manufactured from the best-quality video master currently available and has not been remastered or restored specifically for this DVD release.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

English as a Second Language teachers will appreciate the time-saving value of these exercises. Copiable for non-commercial classroom use, they will save the teacher the time of creating their own exercises. Students love learning English from films--great for vocabulary develoment (acadamic, idiomatic, & slang), listening, discussion and American culture. The films chosen for this volume are suited for high intermediate and advanced students.Show off your team spirit with this officially licensed Street License Pl! ate displaying your favorite team logo in bright, full-color graphics. The license plate measures 12" x 6" and the four slots make it easy to display on the front of a car or to tack up on a wall.

Flags of Our Fathers First Edition In Dust Jacket

  • Flags of Our Fathers
  • [Flags of Our Fathers]
#1 NEW YORK TIMES BESTSELLER

THE TRUE STORY BEHIND THE IMMORTAL PHOTOGRAPH THAT HAS COME TO SYMBOLIZE THE COURAGE AND INDOMITABLE WILL OF AMERICA

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island’s highest peak. And after climbing through a landscape of hell itself, they raised a flag.

Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley! draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men’s paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific’s most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic defenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley’s father truly survived, displaying no copy of the famous photograph in his home, telling his son only: “The real heroes of Iwo Jima were the guys who didn’t come back.”

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this i! s history told with keen insight, enormous honesty, and the pa! ssion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.The Battle of Iwo Jima, fought in the winter of 1945 on a rocky island south of Japan, brought a ferocious slice of hell to earth: in a month's time, more than 22,000 Japanese soldiers would die defending a patch of ground a third the size of Manhattan, while nearly 26,000 Americans fell taking it from them. The battle was a turning point in the war in the Pacific, and it produced one of World War II's enduring images: a photograph of six soldiers raising an American flag on the flank of Mount Suribachi, the island's commanding high point.

One of those young Americans was John Bradley, a Navy corpsman who a few days before had braved enemy mortar and machine-gun fire to administer first aid to a wounded Marine and then drag him to safety. For this act of heroism Bradley would receive the Navy C! ross, an award second only to the Medal of Honor.

Bradley, who died in 1994, never mentioned his feat to his family. Only after his death did Bradley's son James begin to piece together the facts of his father's heroism, which was but one of countless acts of sacrifice made by the young men who fought at Iwo Jima. Flags of Our Fathers recounts the sometimes tragic life stories of the six men who raised the flag that February day--one an Arizona Indian who would die following an alcohol-soaked brawl, another a Kentucky hillbilly, still another a Pennsylvania steel-mill worker--and who became reluctant heroes in the bargain. A strongly felt and well-written entry in a spate of recent books on World War II, Flags gives a you-are-there depiction of that conflict's horrible arenas--and a moving homage to the men whom fate brought there. --Gregory McNameeFrom Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven! ) comes the World Was II epic Flags of Our Fathers, pro! duced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler’s List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash).
February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima, which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols an! d did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley’s father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never knew the full extent of his father’s experiences until after the elder Bradley’s death in 1994.
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was ! abandoned when Eastwood signed on to direct), this isn't so mu! ch a con ventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed stud! y of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers
Other World War II DVDs
Essential DVDs by Director Clint Eastwood
Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)







In this unforgettable chronicle of perhaps the most famous moment in American military history, James Bradley has captured the glory, the triumph, the heartbreak, and the legacy of the six men who raised the flag at Iwo Jima. Here is the true story behind the immortal ! photograph that has come to symbolize the courage and indomita! ble will of America.

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island's highest peak. And after climbing through a landscape of hell itself, they raised a flag.

Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men's paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific's most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic d! efenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley's father truly survived, displaying no copy of the famous photograph in his home, telling his son only: "The real heroes of Iwo Jima were the guys who didn't come back."

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this is history told with keen insight, enormous honesty, and the passion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.


From the Hardcover edition.In the winter of 194! 5, on the tiny island of Iwo Jima, a ferocious, epic battle wa! s fought , resulting in the loss of more than 48,000 lives and producing what was to become one of the most recognizable symbols of World War II: a photograph of six soldiers raising an American flag on the peak of Mount Suribachi. One of the six, Navy corpsman John Bradley, came away from this historical moment with a deep and mysterious silence about his role in the flag raising. Even his wife heard him speak of it only once in their 47-year marriage. After Bradley's death, his son James began to piece together the facts of his father's heroism, as well as that of the other five men, all of whom became reluctant heroes because of their presence during that fateful instant when the shutter clicked and created a wartime icon.

Based on James Bradley's Flags of Our Fathers for adults, this abridged version for younger readers retains the somewhat terse drama, intense heartbreak, and bittersweet triumph of the original narrative. Through his research on th! e event and the soldiers (three of the men were killed in combat within days of the flag raising), Bradley explores the dubious nature of heroism and the devastating effects of war. (Ages 14 and older) --Emilie CoulterFLAGS OF OUR FATHERS SPECIAL COLLECTO - Blu-Ray MoThematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of vi! ctory on the battle-ravaged Japanese island of Iwo Jima on Feb! ruary 23 rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-ra! isers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers


Other Wor! ld War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)







New! Fast shipping!In this unforgettable chronicle of perhaps the most famous moment in American military history, James Bradley has captured the glory, the triumph, the heartbreak, and the legacy of the six men who raised the flag at Iwo Jima. Here is the true story behind the immortal photograph that has come to symbolize the courage and indomitable will of America.

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the! island's highest peak. And after climbing through a landscape! of hell itself, they raised a flag.

Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men's paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific's most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic defenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of ! them, the adulation was shattering. Only James Bradley's father truly survived, displaying no copy of the famous photograph in his home, telling his son only: "The real heroes of Iwo Jima were the guys who didn't come back."

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this is history told with keen insight, enormous honesty, and the passion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.


From the Hardcover edition.The Battle of Iwo Jima, fought in the winter of 1945 on a rocky island south of Japan, brought a ferocious slice of hell to earth: in a month's time, more than 22,000 Japanese soldiers would die defending a patch of ground a third the size of Manhattan, while nearly 26,000 American! s fell taking it from them. The battle was a turning point in! the war in the Pacific, and it produced one of World War II's enduring images: a photograph of six soldiers raising an American flag on the flank of Mount Suribachi, the island's commanding high point.

One of those young Americans was John Bradley, a Navy corpsman who a few days before had braved enemy mortar and machine-gun fire to administer first aid to a wounded Marine and then drag him to safety. For this act of heroism Bradley would receive the Navy Cross, an award second only to the Medal of Honor.

Bradley, who died in 1994, never mentioned his feat to his family. Only after his death did Bradley's son James begin to piece together the facts of his father's heroism, which was but one of countless acts of sacrifice made by the young men who fought at Iwo Jima. Flags of Our Fathers recounts the sometimes tragic life stories of the six men who raised the flag that February day--one an Arizona Indian who would die following an alcohol-soaked brawl, ano! ther a Kentucky hillbilly, still another a Pennsylvania steel-mill worker--and who became reluctant heroes in the bargain. A strongly felt and well-written entry in a spate of recent books on World War II, Flags gives a you-are-there depiction of that conflict's horrible arenas--and a moving homage to the men whom fate brought there. --Gregory McNameeIn this unforgettable chronicle of perhaps the most famous moment in American military history, James Bradley has captured the glory, the triumph, the heartbreak, and the legacy of the six men who raised the flag at Iwo Jima. Here is the true story behind the immortal photograph that has come to symbolize the courage and indomitable will of America.

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island's highest peak. And after climbing through a landsc! ape of hell itself, they raised a flag.

Now the son of ! one of t he flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men's paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific's most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic defenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley's father truly s! urvived, displaying no copy of the famous photograph in his home, telling his son only: "The real heroes of Iwo Jima were the guys who didn't come back."

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this is history told with keen insight, enormous honesty, and the passion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.


From the Hardcover edition.From Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven) comes the World Was II epic Flags of Our Fathers, produced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler’s List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash! ). February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima, which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the! battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley’s father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never knew the full extent of his father’s experiences until after the elder Bradley’s death in 1994.
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) ! who raised the American flag of victory on the battle-ravaged ! Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conc! lusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers


Other World War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)







Flags of Our Fathers

House, M.D.: Season Six

  • Condition: New
  • Format: DVD
  • AC-3; Box set; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
Studio: Uni Dist Corp. (mca) Release Date: 08/30/2011 Rating: NrGet ready for a full dose of medical mysteries with 21 episodes of the riveting drama series, House. Hugh Laurie is joined by James Earl Jones (Star Wars), Laura Prepon (That '70s Show) and David Strathairn (The Bourne Ultimatum) in guest appearances as he returns to his Golden Globe® winning and Primetime Emmy® Award-nominated role as Dr. Gregory House. In this brilliant sixth season, House finds himself in an uncomfortable positionâ€" away from the examination room. As he works to regain his license and his life, his coworkers deal with the staff shakeups, moral dilemmas, and their own tricky relationships with House. And when House returns more obstinate than ever, Princeton-Plainsboro Teaching Hospital will never be th! e same again.The sixth season of House, M.D. starts off with a phenomenal two-part episode that sets the tone for the rest of the year. After years of abusing prescription drugs (and colleagues), Dr. Gregory House (Hugh Laurie) finds himself in a psychiatric ward as a patient who is not so patient with his own doctor. Smart and manipulative, House tries to finagle his way out of the hospital. But his selfish actions set off a chain reaction of events that manage to shake even his own confidence--temporarily, at least. This season spends a lot of time delving into House's psyche and the writers do a wonderful job depicting a brilliant, sad, and flawed man who knows more than most, but not enough to save every patient who comes to see him. That glimpse allows viewers to sympathize with his addictions but leaves them guessing as to whether the good doctor will be able to shake his dependency on drugs for good. However, viewers are never actually convinced when House qui! ts his job. In many ways, he is his job.

House has ! always t ackled fascinating cases and that continues this season, though the symptoms aren't overly dramatic by House standards. The team tries to save a man whose family history indicates that he will die of a heart attack before he turns 40. They try to help a brilliant scientist whose depression and addictions make him feel he's better suited for a simpler life as a courier. And Wilson (Robert Sean Leonard) may once again be grappling with cancer. It's a credit to this show that while it features such a strong lead character, the costars don't get shafted in the process. Wilson is one of the show's most charming characters and, by default, has become House's best friend. The two of them share a home and bicker like an old married couple. When a woman they both are attracted to mistakenly assumes that they're a complicated gay couple, we can't help but laugh. But Wilson's love life is made difficult by the return of his ex-wife and House doesn't want to see his friend hurt a! gain. He can abuse Wilson, but he doesn't want her to do the same.

House's boss Cuddy (Lisa Edelstein) has her own issues, juggling a harried personal life and the complications that come with trying to keep House in line. Chase (Jesse Spencer) falls under scrutiny this season after treating a controversial politician who he fears will murder innocent civilians. He finds himself struggling with the Hippocratic oath to treat all patients--even the ones he finds distasteful--to the best of his ability. And of the main characters on the show, one will be fired, another will profess their love for a colleague, and three of them will look for love via a speed-dating service. Yes, the story lines are all over the place, but then again, so is House. --Jae-Ha Kim

MY LITTLE SWEET HEART TWIN 13 INCH DOLLS SET, BOY AND GIRL WITH EXTRA 2 OUTFITS 2 PILLOWS 2 BOTTLES 2 DISHES SETS AND 2 BIBS

  • 2 dolls 13'' you can make them twin boys or twin girls or 1 boy and 1 girl
  • Soft body, vinyl face, sleeping eyes,
  • 2 Bibs & 2 bottles, sleeping bag, and a feeding set for each doll
  • Made of top quality, Safety tested for led free,
  • Makes a great gift. Box size 24'' L 14.5'' H 5''D
Exciting young stars Freddie Prinze Jr. (DOWN TO YOU, SHE'S ALL THAT) and Claire Forlani (MYSTERY MEN, MEET JOE BLACK) ride a fun rollercoaster to romance in this sexy comedy hit! Shy bookworm Ryan (Prinze) and the outgoing, free-spirited Jennifer (Forlani) couldn't be more different. So when they first meet, they can't stand each other. When they meet again, they loathe each other! But when they finally reconnect in college, all that friction eventually explodes into red-hot romantic fireworks! With hilarious friends Jason Biggs (AMERICAN PIE), Amanda Detmer (FINAL DESTINATION, DROP DE! AD GORGEOUS), and Heather Donahue (THE BLAIR WITCH PROJECT) along to pump up the fun, you'll laugh along as these irresistible boys and girls sort out all of love's confusing complexities!Behind the generic title of Boys & Girls lies a surprising enjoyable and nuanced romantic comedy. Teen heartthrob Freddie Prinze Jr. plays Ryan, a dorky, emotionally sincere young guy who keeps crossing paths with Jennifer, played by Claire Forlani, an independent and willfully unattached young woman. Their chance meetings coincide with relationship traumas and they start to confide in each other, which leads to a more genuine friendship and, in the midst of their college years, a romance. It's a bit of a stock plot line to have their friendship threatened by sexual attraction, but Boys & Girls has just enough genuine feeling to make it compelling. Meanwhile, Jason Biggs (from American Pie) plays Ryan's roommate, a compulsive liar and would-be scam artist, who carries! off some pretty funny scenes. Forlani and Prinze work togethe! r quite well. Their performances hearken back to the classic screwball comedies of the 1930s, with the repressed male simultaneously attracted and horrified by a footloose dame. Some kooky moments are a little strained, but at other times the movie has a refreshing realism about human emotions. Overall, a much more engaging and entertaining flick than its ad campaign suggests. Also featuring Alyson Hannigan from the TV show Buffy the Vampire Slayer and Heather Donahue from The Blair Witch Project. --Bret FetzerBehind the generic title of Boys & Girls lies a surprising enjoyable and nuanced romantic comedy. Teen heartthrob Freddie Prinze Jr. plays Ryan, a dorky, emotionally sincere young guy who keeps crossing paths with Jennifer, played by Claire Forlani, an independent and willfully unattached young woman. Their chance meetings coincide with relationship traumas and they start to confide in each other, which leads to a more genuine friendship and, in th! e midst of their college years, a romance. It's a bit of a stock plot line to have their friendship threatened by sexual attraction, but Boys & Girls has just enough genuine feeling to make it compelling. Meanwhile, Jason Biggs (from American Pie) plays Ryan's roommate, a compulsive liar and would-be scam artist, who carries off some pretty funny scenes. Forlani and Prinze work together quite well. Their performances hearken back to the classic screwball comedies of the 1930s, with the repressed male simultaneously attracted and horrified by a footloose dame. Some kooky moments are a little strained, but at other times the movie has a refreshing realism about human emotions. Overall, a much more engaging and entertaining flick than its ad campaign suggests. Also featuring Alyson Hannigan from the TV show Buffy the Vampire Slayer and Heather Donahue from The Blair Witch Project. --Bret FetzerStarring most of the club kids in Hollywood, The ! Boys and Girls Guide to Hollywood is an outrageous story blend! ed with a how to guide to enjoy a truly insane party lifestyle. The film follows a group of Hollywood party-goers on their escapade as they travel from home to bar to party to after-party seeking the ultimate party experience. Through their adventure, viewers will learn truly insightful and at times politically incorrect lessons in nightlife etiquette, which will leave you feeling a bit dirty for enjoying it so much.Behind the generic title of Boys & Girls lies a surprising enjoyable and nuanced romantic comedy. Teen heartthrob Freddie Prinze Jr. plays Ryan, a dorky, emotionally sincere young guy who keeps crossing paths with Jennifer, played by Claire Forlani, an independent and willfully unattached young woman. Their chance meetings coincide with relationship traumas and they start to confide in each other, which leads to a more genuine friendship and, in the midst of their college years, a romance. It's a bit of a stock plot line to have their friendship threatene! d by sexual attraction, but Boys & Girls has just enough genuine feeling to make it compelling. Meanwhile, Jason Biggs (from American Pie) plays Ryan's roommate, a compulsive liar and would-be scam artist, who carries off some pretty funny scenes. Forlani and Prinze work together quite well. Their performances hearken back to the classic screwball comedies of the 1930s, with the repressed male simultaneously attracted and horrified by a footloose dame. Some kooky moments are a little strained, but at other times the movie has a refreshing realism about human emotions. Overall, a much more engaging and entertaining flick than its ad campaign suggests. Also featuring Alyson Hannigan from the TV show Buffy the Vampire Slayer and Heather Donahue from The Blair Witch Project. --Bret FetzerBOYS AND GIRL FROM COUNTY CLARE - DVD MovieHigh school quarterback Woody Deanne (Kevin Zegers of FELICITY: AN AMERICAN GIRL ADVENTURE) is a sexist jock who li! ves for hip-hop. His next-door neighbor and sworn enemy Nell B! edworth (Samaire Armstrong of THE O.C. and ENTOURAGE) is a smart and sensitive virgin who loves Shakespeare. But one morning, they mysteriously wake up in the strangest place of all: Each other's bodies! Even if they can now survive their switched lives of girls' showers, boys' locker rooms, college interviews, Homecoming football and destroying each other's reputations, will they find that falling in love may be the ultimate out-of-body experience? Sharon Osbourne co-stars in this wild gender-bender comedy featuring a hot soundtrack of hits by Eminem, Black Eyed Peas, Elton John, James Blunt, Ozzy Osbourne, Girls Aloud, Mystikal and more!A body-swapping comedy, It's a Boy Girl Thing takes a look at what happens when contentious next door neighbors have to literally live in each other's body for a while. Nell (Samaire Armstrong, Entourage, Dirty Sexy Money) is a studious geek. Woody (Kevin Zegers, Transamerica) is the high school football hero. Though the! y've known each other their entire lives, the two are happiest pretending the other doesn't exist. Psychoanalysis might conclude that it's because each has aspects that they are trying to subliminate in themselves, but in this farce, which executive-produced by Elton John, the plot is much less deep. It's a Boy Girl Thing has more in common with Rob Schneider's crude body-switch-'em-up The Hot Chick than, say, Tom Hanks' Big (Where his character didn't change sexes, but did grow from a little boy to a grown man overnight). At its best, the film offers a few laughs and some sight gags. At its worst, the characters utter lines such as, "I'm a loser, I'm trouble and I'm stupid. It's basic genetics." Written by Geoff Deane, who fared much better with the clever Kinky Boots, It's a Boy Girl Thing capitalizes on the strength of the lead actors. While Armstrong and Zegers look like they could be old enough to be paying off their student loans, th! ey have the mannerisms and nuances of teenagers down pat. Once! they sw ap bodies and have to work together to get their lives back, they also exhibit wonderful chemistry. So nice, in fact, that for a nanosecond, you almost wish they would never get their old lives back. --Jae-Ha KimPOTTY POWER - DVD MovieALL YOU NEED FOR YOUR TODDLER TO BE BUSY FOR A LONG TIME TAKING CARE OF HER LITTLE BOY AND GIRL TWIN 13 INCH DOLLS. COMES WITH EVERYTHING , A TRAY TO SLIP DOLLS INSIDE TO COVER THEM, 2 BOTTLES, A TOTAL OF 4 OUTFITS, 2 PILLOWS, 2 ZIPPY CUPS AND PLATES & CUTLERY , 2 BIBS TO KEEP THEM CLEAN, JUST A PERFECT SET . THE DOLLS ARE GREAT & TOP QUALITY, SOFT BODY, VINYL FACE, AND HAS SLEEPING EYES, AND TESTED FOR LED FREE

Bon Voyage!

  • BON VOYAGE! (DVD MOVIE)
Bon voyage! Clearly the best choice!

Bon voyage! (Schmitt and Brillié Lutz) is a comprehensive program that encourages meaningful, practical communication by immersing your students in the language and culture of the Francophone world. The text and its complementary resources help you meet the needs of every student in your diverse classroom.

Bon voyage! provides your itinerary for success with exposure to the Francophone culture; clear expectations and goals; thematic, contextualized vocabulary; useful and thematically-linked structure; progressive practice; real-life conversation; cultural readings in the target language; recycling and review; and exquisite National Geographic Society panoramas of the Francophone world.BON VOYAGE - DVD Movie

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