The Horse Whisperer

• After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl s desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this, rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches

#1 NEW YORK TIMES BESTSELLER

His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.

The Horse Whisperer is a! story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear upon reading the touching tale.

One morning while teenage Grace Maclean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soot! hing words and a gentle touch. Just when it seems he can't be! found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act! as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1 NEW YORK TIMES BESTSELLER

His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.The Horse Whisperer is a story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear up! on reading the touching tale.

One morning while teenage ! Grace Ma clean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soothing words and a gentle touch. Just when it seems he can't be found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married ! women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1 NEW YORK TIMES ! BESTSELLER

His name is Tom Booker. His voice can ca! lm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.Academy Award(R)-winner Robert Redford (Best Director, 1980, ORDINARY PEOPLE) stars with Adademy Award(R)-nominee Kristin Scott Thomas (Best Actress, 1996, THE ENGLISH PATIENT) in this landmark epic adapated from one of the most acclaimed novels of our time! After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl's desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this rugged, down-to-earth rancher (Redford), she discovers his extraor! dinary gift with animals also touches the lives of the people around him! Featuring Hollywood favorites Sam Neill (JURASSIC PARK) and Oscar(R)-winner Dianne Wiest (Best Supporting Actress, 1994, BULLETS OVER BROADWAY) in a superb cast -- critics and moviegoers alike were captivated by this powerful motion picture event!Although it's best viewed on a big theatrical screen to take full advantage of Robert Richardson's breathtaking widescreen cinematography, it seems likely that most people will see this classy romance in the comfort of their own homes. Adapted from the bestseller by Nicholas Evans and directed by Robert Redford, the film did respectable business at the box-office, but it was too sprawling and too soapy to be a bona fide hit. Redford stars as the title character, a Montana rancher named Tom Booker, who possesses the specialized talent of healing traumatized horses through careful and affectionate rehabilitation. He gets his most challenging case when he's soug! ht out by a fast-lane New York magazine editor (Kristin Scott ! Thomas, in a role modeled after former New Yorker editor Tina Brown) whose daughter (Scarlett Johansson) was injured and traumatized by an accident that nearly killed her favorite horse. When mother, daughter, and horse arrive at Booker's ranch, the big-city editor falls in love with the serene rancher and faces the painful decision of whether to stay in Montana or return to her husband (Sam Neill) in New York. Some may find this to be much ado about nothing, and comparisons to The Bridges of Madison County are inevitable, but Redford's directorial approach offers the kind of graceful stature, tenderness, and intelligence required to elevate the simple story. The film takes all the time it needs to let its characters heal and make their important decisions, and that alone makes it a refreshing alternative to the frantic pace of most big-studio productions. --Jeff Shannon

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Baby Geniuses/Superbabies: Baby Geniuses

• DVD, Double Feature, Full Screen, Special Features
• Sony Pictures, both movies 1:33 minutes each

DR. ELENA KINDER IS CONVINCED THAT ALL BABIES ARE BORN KNOWINGTHE SECRETS OF THE UNIVERSE. HER CAPTIVE STABLE OF BABY GENIUSESDON'T THINK ADULTS ARE READY FOR THAT INFORMATION AND SET OUT TOFOIL HER EVIL PLOT.When babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to speak (and dumb down). What she plans to do with this knowledge is never really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably fi! lmed previously with Look Who's Talking, but here the babies talk and move via visual effects like the animals in Babe. They also karate chop adults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasA SUPER-BABY WITH MYSTERIOUS POWERS COMES TO THE AID OF A NEW SET OF BRILLIANT TODDLERS IN THIS HIGH-ADVENTURE SEQUEL.When babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to ! speak (and dumb down). What she plans to do with this knowledg! e is nev er really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably filmed previously with Look Who's Talking, but here the babies talk and move via visual effects like the animals in Babe. They also karate chop adults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasDr. Elena Kinder (Kathleen Turner) is out to dominate the world. Two-year-old Sly is the only person in her way. Dr. Kinder and her partner in crime, Dr. Heep (Christopher Lloyd), have a covert research lab dedicated to cracking the code to a secret baby language. When Sly escapes from the lab, he joins his twin brother Whit in an effort to expose the nefarious plot. Raised by his uncle (Peter MacNicol), who cares! for special children, Whit is naive to the ways of the world, and is quickly captured by Dr. Kinder. Mistaken for Whit, Sly is taken back to his uncle, where he rallies the other foster babies into a Super commando rescue squad to invade the secret lab in an effort to squash Dr. Kinder's evil plot.When babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to speak (and dumb down). What she plans to do with this knowledge is never really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably filmed previously with Look Who's Talking, but here the babies talk and move via visual eff! ects like the animals in Babe. They also karate chop ad! ults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasWhen babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to speak (and dumb down). What she plans to do with this knowledge is never really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably filmed previously with Look Who's Talking, but here the babies talk and move via visual effects li! ke the animals in Babe. They also karate chop adults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasStudio: Sony Pictures Home Ent Release Date: 03/30/2010

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Ezekiel Men's The General Jacket, Black, Large

• Hidden center placket
• Front chest pockets

Tweed jacket

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Ghoulies 2 - Movie Poster - 11 x 17

• Add this spectacular poster to your collection today!
• This poster measures approx. 11 x 17.
• Brand new and expertly rolled and shipped.
• This poster is from Ghoulies 2 (1987)

GHOULIES GHOULIES 2

Inside Campfire Tales you'll find 17 original and classic tales bursting at the seams with ghosts, graveyards, and things that go bump in the night

MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

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Eden of the East: The Complete Series [Blu-ray]

• EDEN OF THE EAST - COMPLETE SERIES - BR (DVD)

Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.\n "East Is East" is Damien O'Donnell's directorial debut, and he nails the! raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making "East Is East" a tremendously fun film. "--Jenny Brown"Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British ! wife (Linda Bassett), is determined to wield his influence ove! r his cl an. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insisten! ce on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownManchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extr! aordinaire; and Sajid (Jordan Routledge), who lives in a dirty! fur-tri mmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, hum! or wins out, making East Is East a tremendously fun film. --Jenny BrownA young Japanese seaman jumps ship off the coast of Georgia and washes ashore on a barrier island inhabited by a strange mix of rednecks, descendents of slaves, genteel retired people, and a colony of artists. The result is a sexy, savagely hilarious tragicomedy of thwarted expectations, mistaken identity, love, jealousy and betrayal. "An absolutely stunning work, full of brilliant cross-cultural insights."--The New York Times Book Review.Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for! discos and English girls; Meenah (Archie Panjabi), the only g! irl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the! film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownManchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'D! onnell's directorial debut, and he nails the raucous tone from! the ope ning scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownRe-issue of this intensely likeable best-selling comedy to coincide with extensive nationwide tour from Sept 05 to April 06. In Salford 1970: the Khan children, caught between bell-bottoms and ar! ranged marriages, are buffeted this way and that by their Pakistani father's insistence on tradition, their English mother's laissez-faire and their own wish to be citizens of the modern world. Successfully filmed, after a rags-to-riches stage career that began in Birmingham in 1996, went on to a London premiere at the Royal Court, and culminated in the West End, "East is East" is a firm favourite with schools and theatres alike. It is one of NHB's top ten best-selling plays.The swordsman series continues with the reappearance of the isolated transgender asia the invincible to refute those who have used his name for fame and power. Special features: subtitles in english chinese korean japanese vietnamese thai malaysian and indonesian chapters and filmographies. Studio: Tai Seng Entertainment Release Date: 10/24/2000 Starring: Brigitte Lin Joey Wang Run time: 108 minutes Rating: Nr Director: Ching Siu TungAkira Takizawa wakes up naked outside the White House with no me! mories. He’s got a gun in one hand, a cell phone in the othe! r, and d oesn’t know if he’s a good guy or one of the worst. He doesn’t remember the phone gives him instant access to ten billion yen and a woman who can make his most outlandish requests a reality. He doesn’t recall his connection to the ongoing missile attacks terrorizing the Japanese people. Or the part he played in the sudden disappearance of 20,000 shut-ins. He doesn’t even remember he’s supposed to save Japan and will be murdered if he fails. Whatever it is he’s tangled up in, Takizawa’s definitely in deep â€" and that’s not even scratching the surface.Eden of the East scored a big hit in Japan when the series aired in spring 2009: in less than a year, two follow-up features continued the story, The King of Eden and Paradise Lost. Twentysomething Akira Takizawa wakes up in Washington, DC, buck naked and stripped of his memories: all he has is a gun and a super-sophisticated mobile phone that delivers anything he requests. He meets Saki Mo! rimi, a college senior on her graduation trip to America, and returns with her to Japan. Takizawa tries to recover his memories, which may be linked to a pair of missile attacks on Japan and the disappearance of 20,000 NEETS (young men with No Employment, Education or Training). From his phone--which provides the equivalent of more than Â¥8 million (about $100,000,000), Takizawa learns that he is a seleçao, one of 12 agents charged by the mysterious Mr. Outside with saving a faltering, apathetic Japan. As he resolves the mystery of his identity, Takizawa gets help from Saki, her friends, and a hikikomori superhacker. Eden of the East was written and directed by Kenji Kamiyama, writer-director of the popular Ghost in the Shell: Stand Alone Complex. Kamiyama once again demonstrates his exceptional skill at building suspense and weaving an exciting fantasy. The cyber-terrorism elements of Eden recall the "Laughing Man" mystery in Stand Al! one Complex, but this time Kamiyama is working with his ow! n charac ters and world, and the results are more intriguing. The taut scripts and a winning performance by voice actor Jason Liebrecht make Takizawa an appealing hero, even in the most improbable circumstances. Eden of the East ranks among the very best anime of 2010. (Rated TV MA: violence, nudity, risqué humor, alcohol and tobacco use) --Charles Solomon

(1. I Picked Up a Prince, 2. Melancholy Monday, 3. On the Night of the Late Show, 4. Real Reality, Fabricated Reality, 5. This Is No Time to Be Thinking About That… 6. Eden of the East, 7. Flight of the Black Swan, 8. Searching for the Path Already Lost, 9. A Man Too Ephemeral, 10. Who Killed Akira Takizawa? 11. The East That Continues On)

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Divine Horsemen: The Living Gods of Haiti

• ISBN13: 9780914232636
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

They are real. They are the harbingers of the Apocalypse. And only one woman stands between them and us. THE FOUR HORSEMEN is a race-against-the-clock thriller starring Andie Sullivan. As the world's only "culturalist," she is employed by corporations and wealthy individuals to break through the barriers with any culture around the globe. Now, she faces the most challenging and dangerous assignment of her career. Hired by a ruthless businessman to infiltrate the mysterious tribe who serve as the protectors of the Four Horsemen's ancient secret, Andie is plunged into a mysterious world where every answer only opens the door to more questions. With a shadowy government force and a brutal terrorist also v! ying for the Horsemen's unfathomable power, Andie must collect them all and unlock their mysteries before time runs out.A boy's account of growing up in the South during the depression era. Both a rare first novel and a new American classic, Sams novel has been compared to Tom Sawyer and To Kill a Mockingbird.Includes photographs and drawings. Foreword by Joseph Campbell This is the classic, intimate study, movingly written with the special insight of direct encounter, which was first published in 1953 by the fledgling Thames & Hudson firm in a series edited by Joseph Campbell. Maya Deren's Divine Horsemen is recognized throughout the world as a primary source book on the culture and spirituality of Haitian Voudoun. The work includes all the original photographs and illustrations, glossary, appendices and index. It includes the original Campbell foreword along with the foreword Campbell added to a later edition.

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Herb & Dorothy

• HERB & DOROTHY (DVD MOVIE)

In the early 1960s, Herb & Dorothy Vogel a postal worker and librarian began purchasing the works of unknown Minimalist and Conceptual artists, guided by two rules: the piece had to be affordable, and it had to be small enough to fit in their one-bedroom Manhattan apartment. They proved themselves curatorial visionaries; most of those they supported and befriended went on to become world-renowned artists. HERB & DOROTHY provides a unique chronicle of the world of contemporary art from two unlikely collectors, whose shared passion and discipline defies stereotypes and redefines what it means to be a patron of the arts.This unique documentary debut by Megumi Sasaki is a surprisingly entertaining look into what some artists consider a mundane topic: art collecting. Herb & Dorothy transforms potentially dry subject matter with humor and intrigue into a story that! will warm artists and collectors to each other, not to mention expose the public to an elusive business. Organized chronologically, Herb & Dorothy profiles the Vogels, a Manhattan couple who met in 1960 and began collecting art with their meager incomes from the post office and the Brooklyn Public Library. Starting at a Robert Mangold opening, the documentary shows the now elderly Vogels in action among artists and curators as they attend events as they have for the past 40 years. The film moves between the Vogels in their art-crammed apartment and interviews with artists such as the Christos, Richard Tuttle, Lynda Benglis, Pat Steir, and James Siena, who have appreciated the Vogels' loyal patronage. Indeed, footage of artists speaking so fondly of collectors is a rarity. But besides the praise that is bestowed upon the Vogels here, and the historical recounting of how they constructed one of the best Minimalist and Conceptual art collections to date, Herb & Doro! thy is strengthened by its presentation of alternative per! spective s. Gallerists are interviewed to discuss the problem with collectors buying direct from artists, undercutting the system, so to speak. This capitalist approach seems all the more absurd when one realizes the personal relationships that have been forged between artist and collector. This film shows how the collectors begin from scratch to purchase art, train their eyes to artistic movements, support those movements, and then eventually donate the collection to a museum. It is a story portraying a sheer love of art that transcends the commodification of creative work. Herb & Dorothy is not only a film for art world aficionados; it will surely please anyone in the community who can use a reminder about artistic exchange in an ideal state. --Trinie Dalton

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Devil's Own (A Clan MacAlpin Novel)

• ISBN13: 9780425240182
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the start, Kerry Bishop anticipated danger: She expected unimaginable fear. In a terrifying race to save nine children, she prepared for the fight of her life. But she wasn’t prepared for a passion almost as dangerous as the mission she had undertaken. At the first, Linc O’Neil appeared to be exactly the kind of man Kerry needed: strong, ruthless and definitely too drunk to care about helping her steal a truck to get past the guards. Then she discovered her mistake. Linc was not a hardened mercenary; the heavy gear he carried was not guns but cameras. She had hijacked a Pulitzer Prize-winning journalist. Now he was their last hope. Dependent on a stranger, Kerry refused to let unexpected des! ire complicate their mission. If Linc had the mistaken impression that she was a woman of the church, she was not about to correct him. Certainly, it kept him at arm’s length, which was just where she wanted this man who, despite his bad attitude and constant stream of threats, was their one chance for survival through fifty miles of treacherous jungle. And survival was all they could think about. But if they succeeded, what then? Could Kerry tell him the truth: that she was no more a woman sworn to chastity than she was immune to the powerful effect he had on her? That she desired him more and more? If freedom came, would they be free to love?

On July 13, 1863, the largest riots in American history broke out on the streets of New York City, nearly destroying in four days the financial, industrial, and commercial hub of the nation. Placing the riots in the context of social tension and reform from the 1840s through the 1870s, Barnet Schecter sheds new light on t! he Civil War era and on the history of protest and reform in A! merica.< /div>

After surviving slavery, Aiden MacAlpin has nothing but thoughts of vengeance. When his tutor Elspeth learns a secret to his past, it thrusts them both into a game of passion and deception that neither may survive.

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The Dark Knight

• 100% cotton
• Wash cold; dry low
• Imported
• Listed in men's sizes

This black T-shirt features a large front screen of teaser artwork for the upcoming film The Dark Knight Rises. Comes with a FREE Dark Knight Rises poster, while supplies last!

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