GOODYEAR 46511 3/8-Inch by 6-Feet 250 PSI Lead-In Rubber Air Hose With 1/4-Inch MNPT Ends

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As Good Eats enjoys its 14th season on the Food Network, its popularity continues unabated. Fans can’t get enough of Alton Brown’s wildly inventive, science-geeky, food-loving spirit. It’s no wonder, then, that the first two volumes in STC’s Good Eats series were New York Times bestsellers.

Like Volumes 1 and 2, Good Eats 3: The Later Years packs a bounty of information and entertainment between its covers. More than 200 recipes are accompanied by hundreds of photographs, drawings, and stills from the show, as well as lots of science-of-food facts, cooking tips, food trivia, behind-the-scenes glimpsesâ€"and bonus sock puppet instructions! In chapters devoted! to everything from pomegranates to pretzels, mincemeat to molasses, Alton delivers delicious recipes along with fascinating background in a book that’s as fun to read as it is to cook from. Good Eats 3 will be a must-have addition to the bookshelves and kitchen counters of Alton lovers everywhere.

Praise for Good Eats 3: The Later Years:

“A victory lap” 
â€"Chicago Tribune

“The hefty book is filled with health information and tips on how to become a better home cook, all told in the breezy style that made Alton Brown’s show so accessible and fun. Plus there is a pattern and stickers for making sock puppets. She was wonderful, but Julia Child never taught you how to make a sock puppet, did she?”
 â€"Oregonian

“Alton’s cookbooks are non-traditional to say the least. In addition to great recipes, they’re loaded with humor, science, and! great tips on selecting ingredients.”
â€"Northeast Fl! avor magazine

“Much like Good Eats the show, the book can carry many labelsâ€"or, more to the point, defy labels altogether.”
â€"The Record

“His best yet.” â€"LAWeekly.com

Measures 3/8" x 6 ft. length, Solid Brass End Fittings: 1/4" NPT, Spiral Synthetic Yarn Reinforcement, Abrasion-Resistant Rubber Outer Jacket,100 percent Made and Assembled in the U.S.A., 250 psi Working Pressure, Exceeds RMA 4:1 Safety Factor (Burst Pressure to Working Pressure Ratio), Meets RMA Class "C" Oil Resistance, Working Temperature Range: -40 to 190 F

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Fisher Science Education Histology Microscopic Slide: Blood Smear, WR Stain; Human

• Slides sets are prepared using quality materials and glass slides with finely-ground edges
• Slide preparation involves several steps, which can vary according to specimen type and the stain procedure that ensures the best quality
• Strict quality control is performed is after each step to make certain that the final product is of the finest quality

It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished even his most virulent accuser.

Coleman Silk has a secret, one which has been kept for fifty years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman. ! It is Zuckerman who stumbles upon Silk's secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled. And to understand also how Silk's astonishing private history is, in the words of The Wall Street Journal, "magnificently" interwoven with "the larger public history of modern America."Athena College was snoozing complacently in the Berkshires until Coleman Silk--formerly "Silky Silk," undefeated welterweight pro boxer--strode in and shook the place awake. This faculty dean sacked the deadwood, made lots of hot new hires, including Yale-spawned literary-theory wunderkind Delphine Roux, and pissed off so many people for so many decades that now, in 1998, they've all turned on him. Silk's character assassination is partly owing to what the novel's narrator, Nathan Zuckerman, calls "the Devil of the Little Plac! e--the gossip, the jealousy, the acrimony, the boredom, the l! ies."

But shocking, intensely dramatized events precipitate Silk's crisis. He remarks of two students who never showed up for class, "Do they exist or are they spooks?" They turn out to be black, and lodge a bogus charge of racism exploited by his enemies. Then, at 71, Viagra catapults Silk into "the perpetual state of emergency that is sexual intoxication," and he ignites an affair with an illiterate janitor, Faunia Farley, 34. She's got a sharp sensibility, "the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble," and a melancholy voluptuousness. "I'm back in the tornado," Silk exults. His campus persecutors burn him for it--and his main betrayer is Delphine Roux.

In a short space, it's tough to convey the gale-force quality of Silk's rants, or the odd effect of Zuckerman's narration, alternately retrospective and torrentially in the moment. The flashbacks to Silk's youth in New Jersey are just as important as his turbulent forced r! etirement, because it turns out that for his entire adult life, Silk has been covering up the fact that he is a black man. (If this seems implausible, consider that the famous New York Times book critic Anatole Broyard did the same thing.) Young Silk rejects both the racism that bars him from Woolworth's counter and the Negro solidarity of Howard University. "Neither the they of Woolworth's nor the we of Howard" is for Coleman Silk. "Instead the raw I with all its agility. Self-discovery--that was the punch to the labonz.... Self-knowledge but concealed. What is as powerful as that?"

Silk's contradictions power a great Philip Roth novel, but he's not the only character who packs a punch. Faunia, brutally abused by her Vietnam vet husband (a sketchy guy who seems to have wandered in from a lesser Russell Banks novel), scarred by the death of her kids, is one of Roth's best female characters ever. The self-serving Delphine Roux ! is intriguingly (and convincingly) nutty, and any number of m! inor cha racters pop in, mouth off, kick ass, and vanish, leaving a vivid sense of human passion and perversity behind. You might call it a stain. --Tim Appelo

It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished his most virulent accuser. Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with Faunia Farley, a woman half his age with a savagely wrecked past - a part-time farmhand and a janitor at the college where, until recently, he was the powerful dean of faculty. And it's not the secret of Coleman's alleged racism, which provoked the college witch-hunt that cost him his job and, to his mind, killed his wife. Nor is it the secret of misogyny, despite the best efforts o! f his ambitious young colleague, Professor Delphine Roux, to expose him as a fiend. Coleman's secret has been kept for fifty years: from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman, who sets out to understand how this eminent, upright man, esteemed as an educator for nearly all his life, had fabricated his identity and how that cannily controlled life came unraveled. Set in 1990s America, where conflicting moralities and ideological divisions are made manifest through public denunciation and rituals of purification, The Human Stain concludes Philip Roth's eloquent trilogy of postwar American lives that are as tragically determined by the nation's fate as by the "human stain" that so ineradicably marks human nature. This harrowing, deeply compassionate, and completely absorbing novel is a magnificent successor to his Vietnam-era novel, American Pastoral, and his McCarthy-era novel, I MARRIED A COMMUNIST.

Athena Colle! ge was snoozing complacently in the Berkshires until Coleman ! Silk--fo rmerly "Silky Silk," undefeated welterweight pro boxer--strode in and shook the place awake. This faculty dean sacked the deadwood, made lots of hot new hires, including Yale-spawned literary-theory wunderkind Delphine Roux, and pissed off so many people for so many decades that now, in 1998, they've all turned on him. Silk's character assassination is partly owing to what the novel's narrator, Nathan Zuckerman, calls "the Devil of the Little Place--the gossip, the jealousy, the acrimony, the boredom, the lies."

But shocking, intensely dramatized events precipitate Silk's crisis. He remarks of two students who never showed up for class, "Do they exist or are they spooks?" They turn out to be black, and lodge a bogus charge of racism exploited by his enemies. Then, at 71, Viagra catapults Silk into "the perpetual state of emergency that is sexual intoxication," and he ignites an affair with an illiterate janitor, Faunia Farley, 34. She's got a sharp sensibi! lity, "the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble," and a melancholy voluptuousness. "I'm back in the tornado," Silk exults. His campus persecutors burn him for it--and his main betrayer is Delphine Roux.

In a short space, it's tough to convey the gale-force quality of Silk's rants, or the odd effect of Zuckerman's narration, alternately retrospective and torrentially in the moment. The flashbacks to Silk's youth in New Jersey are just as important as his turbulent forced retirement, because it turns out that for his entire adult life, Silk has been covering up the fact that he is a black man. (If this seems implausible, consider that the famous New York Times book critic Anatole Broyard did the same thing.) Young Silk rejects both the racism that bars him from Woolworth's counter and the Negro solidarity of Howard University. "Neither the they of Woolworth's nor the we of Howard" is for Coleman Silk. "Instead th! e raw I with all its agility. Self-discovery--that was the punch to the labonz.... Self-knowledge but concealed. What is as powerful as that?"

Silk's contradictions power a great Philip Roth novel, but he's not the only character who packs a punch. Faunia, brutally abused by her Vietnam vet husband (a sketchy guy who seems to have wandered in from a lesser Russell Banks novel), scarred by the death of her kids, is one of Roth's best female characters ever. The self-serving Delphine Roux is intriguingly (and convincingly) nutty, and any number of minor characters pop in, mouth off, kick ass, and vanish, leaving a vivid sense of human passion and perversity behind. You might call it a stain. --Tim Appelo

It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about! Silk would have astonished his most virulent accuser. Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with Faunia Farley, a woman half his age with a savagely wrecked past - a part-time farmhand and a janitor at the college where, until recently, he was the powerful dean of faculty. And it's not the secret of Coleman's alleged racism, which provoked the college witch-hunt that cost him his job and, to his mind, killed his wife. Nor is it the secret of misogyny, despite the best efforts of his ambitious young colleague, Professor Delphine Roux, to expose him as a fiend. Coleman's secret has been kept for fifty years: from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman, who sets out to understand how this eminent, upright man, esteemed as an educator for nearly all his life, had fabricated his identity and how that cannily controlled life came unraveled. Set in 1990s America, where conflic! ting moralities and ideological divisions are made manifest th! rough pu blic denunciation and rituals of purification, The Human Stain concludes Philip Roth's eloquent trilogy of postwar American lives that are as tragically determined by the nation's fate as by the "human stain" that so ineradicably marks human nature. This harrowing, deeply compassionate, and completely absorbing novel is a magnificent successor to his Vietnam-era novel, American Pastoral, and his McCarthy-era novel, I MARRIED A COMMUNIST.

>

Nathan Zuckerman, Roth's favorite narrator, is at it again, and Bookclub-in-a-Box is right by his side. After you read this fascinating book, read the Bookclub-in-a-Box discussion guide and discover Roth's genius as a writer. If one is already a fan of Philip Roth, they will be thrilled with this discussion; if they are not yet a fan, they will become one with the help of Bookclub-in-a-Box.

Slide, Prepared Microscopic; Fisher Science Education; Lung Tuberculosis, sec. H/E stain HumanPrepared by skilled technic! ians using state-of-the-art equipment. Slides are made of highest quality materials, which provide the clearest image of the subject. On request, special slides to provide exact requirement for Biology labs are provided.

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Biore Hard Day's Night Overnight Moisturizer - 1.7 oz

• Hard Day's Night Overnight Moisturizer
• Hydrate And Strenghten
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In 1964, the Beatles had just recently exploded onto the American scene with their debut on "The Ed Sullivan Show." The group's first feature, the Academy Award-nominated "A Hard Day's Night," offered fans their first peek into a day in the life of the Beatles and served to establish the Fab Four on the silver screen, as well as to inspire the music video format. Songs: I'll Cry Instead, A Hard Day's Night, I Should've Known Better, Can't Buy Me Love, If I Fell, And I Love Her, I'm Happy Just to Dance with You, Ringo's Theme (This Boy), Tell Me Why, Don't Bother Me, I Wanna Be Your Man, All My Lovin', She Loves You.The Fab Four from Liverpool--John Lennon, Paul McCartney, George Harrison, and Ringo Starr--in their first movie. Nobody expecte! d A Hard Day's Night to be much more than a quick exploitation of a passing musical fad, but when the film opened it immediately seduced the world--even the stuffiest critics fell over themselves in praise (highbrow Dwight Macdonald called it "not only a gay, spontaneous, inventive comedy but it is also as good cinema as I have seen for a long time"). Wisely, screenwriter Alun Owen based his script on the Beatles' actual celebrity at the time, catching them in the delirious early rush of Beatlemania: eluding rampaging fans, killing time on trains and in hotels, appearing on a TV broadcast. American director Richard Lester, influenced by the freestyle French New Wave and British Goon Show humor, whips up a delightfully upbeat circus of perpetual motion. From the opening scene of the mop tops rushing through a train station mobbed by fans, the movie rarely stops for air. Some of the songs are straightforwardly presented, but others ("Can't Buy Me Love," set to t! he foursome gamboling around an empty field) soar with ingenui! ty. Abov e all, the Beatles express their irresistible personalities: droll, deadpan, infectiously cheeky. Better examples of pure cinematic joy are few and far between. --Robert HortonDigitally remastered digipak edition of this classic 1964 album from The Beatles featuring 'I Should Have Known Better', 'Things We Said Today', 'If I Fell', 'And I Love Her', 'A Hard Day's Night' and many more. The album has been remastered at Abbey Road Studios in London utilizing state of the art recording technology alongside vintage studio equipment, carefully maintaining the authenticity and integrity of the original analogue recordings. Within the CD's new packaging, the booklet includes detailed historical notes along with informative recording notes. A newly produced mini-documentary on the making of the album is included as a QuickTime file on each album. The documentary contains archival footage, rare photographs and never-before-heard studio chat from The Beatles, offering a unique a! nd very personal insight into the studio atmosphere. Capitol.Strummmmm! That dramatic guitar chord that kicks of A Hard Day's Night (album, song, movie) still jumps right out at you, slaps you in the face, and jump-starts your heart. And you know what? Both the music and the film are still as crisp and lively as they were in 1964. Of course, only the first seven songs are actually in the movie (and they are the strongest of the bunch, from the rousing rock & roll of the title track and the hit single "Can't Buy Me Love," to the beautiful ballads "If I Fell" and "And I Love Her"). But nobody's going to complain about having songs like "I'll Cry Instead" and "Things We Said Today" in the second half of the record; they sure don't feel like leftovers. Yet another high-point for John, Paul, George, and Ringo--four fab fellows who hit the highest heights imaginable. --Jim EmersonIn 1964, the Beatles had just recently exploded onto the American! scene with their debut on "The Ed Sullivan Show." The group's! first f eature, the Academy Award-nominated "A Hard Day's Night," offered fans their first peek into a day in the life of the Beatles and served to establish the Fab Four on the silver screen, as well as to inspire the music video format. Songs: I'll Cry Instead, A Hard Day's Night, I Should've Known Better, Can't Buy Me Love, If I Fell, And I Love Her, I'm Happy Just to Dance with You, Ringo's Theme (This Boy), Tell Me Why, Don't Bother Me, I Wanna Be Your Man, All My Lovin', She Loves You.The Fab Four from Liverpool--John Lennon, Paul McCartney, George Harrison, and Ringo Starr--in their first movie. Nobody expected A Hard Day's Night to be much more than a quick exploitation of a passing musical fad, but when the film opened it immediately seduced the world--even the stuffiest critics fell over themselves in praise (highbrow Dwight Macdonald called it "not only a gay, spontaneous, inventive comedy but it is also as good cinema as I have seen for a long time"). Wisely, scr! eenwriter Alun Owen based his script on the Beatles' actual celebrity at the time, catching them in the delirious early rush of Beatlemania: eluding rampaging fans, killing time on trains and in hotels, appearing on a TV broadcast. American director Richard Lester, influenced by the freestyle French New Wave and British Goon Show humor, whips up a delightfully upbeat circus of perpetual motion. From the opening scene of the mop tops rushing through a train station mobbed by fans, the movie rarely stops for air. Some of the songs are straightforwardly presented, but others ("Can't Buy Me Love," set to the foursome gamboling around an empty field) soar with ingenuity. Above all, the Beatles express their irresistible personalities: droll, deadpan, infectiously cheeky. Better examples of pure cinematic joy are few and far between. --Robert HortonImport only Blu-Ray/Region A pressing. This striking original classic captures all the fun, excitement and unforgettabl! e music of John, Paul, George and Ringo at the height of Beatl! emania! The Beatles perform their songs, look for adventure.. all while avoiding hordes of screaming fans! Packed with all-time Beatle favorites including, 'A Hard Day's Night', 'All My Loving', 'Can't Buy Me Love', 'I Should Have Known Better', 'She Loves You' and 'Tell Me Why', director Richard Lester's groundbreaking motion picture collaboration with the Fab Four is itself a treasured piece of Rock history! This collector's edition includes 'Give Me Everything!' - a companion anthology to the Beatles first film - featuring hours of rare and new material. Packaging includes a 12-page collectible photo insert. 1080i High Definition 16x9 1.66:1. NOTE: Warning the default audio is a standard 5.1 at 448 Kbps !! you'll have to change it to the DTS-HD!The Fab Four from Liverpool--John Lennon, Paul McCartney, George Harrison, and Ringo Starr--in their first movie. Nobody expected A Hard Day's Night to be much more than a quick exploitation of a passing musical fad, but when the fi! lm opened it immediately seduced the world--even the stuffiest critics fell over themselves in praise (highbrow Dwight Macdonald called it "not only a gay, spontaneous, inventive comedy but it is also as good cinema as I have seen for a long time"). Wisely, screenwriter Alun Owen based his script on the Beatles' actual celebrity at the time, catching them in the delirious early rush of Beatlemania: eluding rampaging fans, killing time on trains and in hotels, appearing on a TV broadcast. American director Richard Lester, influenced by the freestyle French New Wave and British Goon Show humor, whips up a delightfully upbeat circus of perpetual motion. From the opening scene of the mop tops rushing through a train station mobbed by fans, the movie rarely stops for air. Some of the songs are straightforwardly presented, but others ("Can't Buy Me Love," set to the foursome gamboling around an empty field) soar with ingenuity. Above all, the Beatles express their irresist! ible personalities: droll, deadpan, infectiously cheeky. Bette! r exampl es of pure cinematic joy are few and far between. --Robert HortonHydrates and strengthens all night to alleviate dryness and dullness- with Botanamide technology and Vitamin E

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Black and White

• ISBN13: 9780618636877
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Black and white décor is at once dramatic and understated, modern and classic, apparent in the work of iconic designers such as Dorothy Draper and Madeleine Castaing but just as present in design today. And the inspiration is all around usâ€"from nature (a zebra’s stripes, tree trunks rising from drifts of snow) to old Hollywood movies and fashion to black-and-white photography and patterns we encounter in our everyday lives (crossword puzzles and the pages of our favorite novels). 

In Black and White (and a Bit in Between), acclaimed interior designer Celerie Kemble trades in her signature vivid palette for this iconic aesthetic, highlighting the black and white work of design stars ! and peers, including Bunny Williams, Thomas O’Brien, Mary McDonald, Victoria Hagan, Mark Hampton, Delphine Krakoff, Brad Ford, Philip Gorrivan, Carrier and Co., and Miles Redd, and welcoming you into more than 100 spaces in every imaginable aesthetic. Woven throughout are her witty observations and expert advice on choosing the best paints and finishes, adding patterns and accessories, building an entire room scheme based on inspiration found in nature, collecting black and white objects, and even choosing the perfect accent colors. 

With more than 350 gorgeous color photographs, this is a vividly photographed celebration of a timeless scheme, infused with inspirational tips, glimpses into showstopping homes, and proof that a limited palette is anything but.

Four stories are told simultaneously, with each double-page spread divided into quadrants. The stories do not necessarily take place at the same moment in time, but are they really one story? You’ll have! to read this award winner and find out.

Black and White ! is an in teresting title for a book that aims to prove there's no such thing as black and white. But read on and you will see that irony and playful deception are running themes in this multidimensional, nonlinear picture story, which was awarded the 1991 Caldecott Medal. In it, a normal-looking cow contains a robber literally pointing at one of the plot's various possible outcomes, which remain tentative as long as they are formulated by young readers. Seeing new angles and clues every time they open the book, these readers will probably astound adult onlookers with their excitement and ease at navigating the unknown in a literary medium akin to interactive multimedia.

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Fair Game

• Jessica, a beautiful young woman, alone on an isolated outback farm in Australia, becomes the unwilling participant in a series of dangerous games with three shooters. At first they are content to tease and shock her, but when they star shooting on her land and endangering wildlife she is forced to take a stand. One by one, Jessica's avenues of escape are destroyed and she is forced to fight f

Plames status as a cia agent was revealed by white house officials allegedly out to discredit her husband after he wrote a 2003 new york times op-ed piece saying that the bush administration had manipulated intelligence about weapons of mass destruction to justify the invasion of iraq. Studio: Uni Dist Corp. (summit) Release Date: 03/29/2011 Starring: Naomi Watts Sean Penn Run time: 107 minutes Rating: Pg13 Director: Doug LimanThe skullduggery surrounding the Valerie Plame affair is already the st! uff of an espionage thriller, even if at the time of the making of Fair Game many details of the incident remained murky. Naomi Watts plays Plame, a longtime CIA agent whose classified status was exposed to the world by columnist Robert Novak in 2003. The move was widely seen as retaliation for the fact that Plame's husband, diplomat Joseph Wilson (Sean Penn), had just written an op-ed piece contradicting an assertion in President Bush's State of the Union address--an assertion that was part of the Bush administration's drum-beating enthusiasm for the Iraq War. The movie can't answer all the questions about who wanted Plame exposed, but at the least it could create a convincing piece of Beltway intrigue. Instead, Fair Game steers in the direction of domestic melodrama, as the marriage between Plame and Wilson is severely tested by the unwanted notoriety. It's not that the actors are unable to bring this situation to life; Penn is forceful (and he cleverly sugg! ests the vanity of a longtime cocktail-party maven), while Wat! ts, thou gh quite capable, is somewhat frozen by her character's mixed, ambivalent reactions. The main problem is simply that these relationship scenes tip the balance, as though the Plame-Wilson marriage carried greater weight than allegations of weapons of mass destruction and the ramp-up to the Iraq War. Meanwhile, director Doug Liman tries to whip up some spy-movie "energy" with lots of noise and cutting, all of which feels increasingly hollow as the movie goes along. A calmer, cleaner documentary on the same subject might do a superior job someday. --Robert HortonFrom the director of The Bourne Identity comes this riveting thriller inspired by the experiences of real-life CIA officer Valerie Plame (Academy Award® nominee Naomi Watts). When Plame's retired ambassador husband Joe Wilson (played by Academy Award® winner Sean Penn) writes a newspaper article challenging the basis for the U.S. war on Iraq, the White House leaks Plame s undercover status leaving her internati! onal contacts vulnerable, her career in shambles and her life in danger. Crackling with sharp dialogue, gripping intrigue and heart-pounding suspense, Fair Game is the adventure that s so unbelievable, it can only be realThe skullduggery surrounding the Valerie Plame affair is already the stuff of an espionage thriller, even if at the time of the making of Fair Game many details of the incident remained murky. Naomi Watts plays Plame, a longtime CIA agent whose classified status was exposed to the world by columnist Robert Novak in 2003. The move was widely seen as retaliation for the fact that Plame's husband, diplomat Joseph Wilson (Sean Penn), had just written an op-ed piece contradicting an assertion in President Bush's State of the Union address--an assertion that was part of the Bush administration's drum-beating enthusiasm for the Iraq War. The movie can't answer all the questions about who wanted Plame exposed, but at the least it could create a convincing pi! ece of Beltway intrigue. Instead, Fair Game steers in t! he direc tion of domestic melodrama, as the marriage between Plame and Wilson is severely tested by the unwanted notoriety. It's not that the actors are unable to bring this situation to life; Penn is forceful (and he cleverly suggests the vanity of a longtime cocktail-party maven), while Watts, though quite capable, is somewhat frozen by her character's mixed, ambivalent reactions. The main problem is simply that these relationship scenes tip the balance, as though the Plame-Wilson marriage carried greater weight than allegations of weapons of mass destruction and the ramp-up to the Iraq War. Meanwhile, director Doug Liman tries to whip up some spy-movie "energy" with lots of noise and cutting, all of which feels increasingly hollow as the movie goes along. A calmer, cleaner documentary on the same subject might do a superior job someday. --Robert HortonAN ATTORNEY AND A COP ON THE RUN FROM A HIGH TECH CRIME RINGTHAT CAN TRACK THEIR EVERY MOVE.She's a lawyer. He's a cop. Som! e former KGB-types with a wide variety of slippery accents and enough sophisticated technological surveillance gadgets to make one wonder how the Soviet Union could have possibly failed, want her dead. The cop (William Baldwin) is the only man who can save her. It helps that the high-powered attorney is played by Cindy Crawford, who gives new meaning to the phrase "habeas corpus." So the plot doesn't make any sense: First they try to kill her, no questions asked. Then they capture her and spill their guts about all the details of their nefarious plan. But logic is not what Fair Game is about. It's about explosions, car crashes, and more explosions. The only pauses in the action are for showers (one for Baldwin, two for Crawford) and a change of clothing (Crawford slips out of a tight T-shirt into an even tighter tank top). The best feature of the DVD is the addition of a Gallic track. With very little actual sex in the movie, having the main characters ! conversing in French definitely adds some sauciness to the di! alogue s cenes. --Richard Natale

Patricia Briggs, the #1 New York Times bestselling author of the Mercy Thompson novels, "always enchants her readers." (Lynn Viehl, New York Times bestselling author) Now her Alpha and Omega series-set in a world of shifting shapes, loyalty, and passion- brings werewolves out of the darkness and into a society where fear and prejudice could make the hunters prey...

They say opposites attract. And in the case of werewolves Anna Latham and Charles Cornick, they mate. The son-and enforcer-of the leader of the North American werewolves, Charles is a dominant alpha. While Anna, an omega, has the rare ability to calm others of her kind.

Now that the werewolves have revealed themselves to humans, they can't afford any bad publicity. Infractions that could have been overlooked in the past must now be punished, and the strain of doing his father's dirty work is taking a toll on Charles.

Nevertheless, Charle! s and Anna are sent to Boston, when the FBI requests the pack's help on a local serial killer case. They quickly realize that not only the last two victims were werewolves-all of them were. Someone is targeting their kind. And now Anna and Charles have put themselves right in the killer's sights...

FAIR GAME - DVD MovieFROM THE EXECUTIVE PRODUCER OF THE BOURNE FILMS COMES THE MAJOR MOTION PICTURE STARRING SEAN PENN AND NAOMI WATTS

Based on Fair Game, Valerie Plame Wilson’s historic and unvarnished account of the personal and international consequences of speaking truth to power.On July 6, 2003, four months after the United States invaded Iraq, former ambassador Joseph Wilson's now historic op-ed, "What I Didn't Find in Africa," appeared in The New York Times. A week later, conservative pundit Robert Novak revealed in his newspaper column that Ambassador Wilson's wife, Valerie Plame Wilson, was a CIA operative. The public disclosure of ! that secret information spurred a federal investigation and le! d to the trial and conviction of Vice President Dick Cheney's chief of staff, Scooter Libby, and the Wilsons' civil suit against top officials of the Bush administration. Much has been written about the "Valerie Plame" story, but Valerie herself has been silent, until now. Some of what has been reported about her has been frighteningly accurate, serving as a pungent reminder to the Wilsons that their lives are no longer private. And some has been completely false--distorted characterizations of Valerie and her husband and their shared integrity.

Valerie Wilson retired from the CIA in January 2006, and now, not only as a citizen but as a wife and mother, the daughter of an Air Force colonel, and the sister of a U.S. marine, she sets the record straight, providing an extraordinary account of her training and experiences, and answers many questions that have been asked about her covert status, her responsibilities, and her life. As readers! will see, the CIA still deems much of the detail of Valerie's story to be classified. As a service to readers, an afterword by national security reporter Laura Rozen provides a context for Valerie's own story.

Fair Game is the historic and unvarnished account of the personal and international consequences of speaking truth to power.

---

Read the First Chapter from Fair Game

Joining the CIA
Our group of five--three men and two women--trekked through an empty tract of wooded land and swamp, known in CIA terms as the "Farm." It was 4 a.m. and we had been on the move all night. Having practiced escape and evasion from an ostensible hostile force--our instructors--we were close to meeting up with our other classmates. Together we would attack the enemy, then board a helicopter to safety. This exercise, called the final assault, was the clima! x of our paramilitary training. Each of us carried eighty-! pound ba ckpacks, filled with essential survival gear: tents, freeze-dried food, tablets to purify drinking water, and 5.56 mm ammunition for our M-16s. The late fall weather was bitter, and slimy water sloshed in our combat boots. A blister on my heel radiated little jabs of stinging pain. My friend Pete, a former Army officer, usually ready with a wisecrack and a smirk, hadn't spoken in hours, while John, our resident beer guzzler, carried not only his backpack but at least fifty extra pounds of body weight. His round face was covered with mud and sweat.

Read the Publisher's Note and First Chapter from Fair Game

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FROM THE EXECUTIVE PRODUCER OF THE BOURNE FILMS COMES THE MAJOR MOTION PICTURE STARRING SEAN PENN AND NAOMI WATTS

Based on Fair Game, Valerie Plame Wilson’s historic and unvarnished account of the personal and international consequences of speaking truth to p! ower.On July 6, 2003, four months after the United States invaded Iraq, former ambassador Joseph Wilson's now historic op-ed, "What I Didn't Find in Africa," appeared in The New York Times. A week later, conservative pundit Robert Novak revealed in his newspaper column that Ambassador Wilson's wife, Valerie Plame Wilson, was a CIA operative. The public disclosure of that secret information spurred a federal investigation and led to the trial and conviction of Vice President Dick Cheney's chief of staff, Scooter Libby, and the Wilsons' civil suit against top officials of the Bush administration. Much has been written about the "Valerie Plame" story, but Valerie herself has been silent, until now. Some of what has been reported about her has been frighteningly accurate, serving as a pungent reminder to the Wilsons that their lives are no longer private. And some has been completely false--distorted characterizations of Valerie an! d her husband and their shared integrity.

Valerie Wilso! n retire d from the CIA in January 2006, and now, not only as a citizen but as a wife and mother, the daughter of an Air Force colonel, and the sister of a U.S. marine, she sets the record straight, providing an extraordinary account of her training and experiences, and answers many questions that have been asked about her covert status, her responsibilities, and her life. As readers will see, the CIA still deems much of the detail of Valerie's story to be classified. As a service to readers, an afterword by national security reporter Laura Rozen provides a context for Valerie's own story.

Fair Game is the historic and unvarnished account of the personal and international consequences of speaking truth to power.

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Read the First Chapter from Fair Game

Joining the CIA
Our group of five--three men and two women--trekked through an empty tract of w! ooded land and swamp, known in CIA terms as the "Farm." It was 4 a.m. and we had been on the move all night. Having practiced escape and evasion from an ostensible hostile force--our instructors--we were close to meeting up with our other classmates. Together we would attack the enemy, then board a helicopter to safety. This exercise, called the final assault, was the climax of our paramilitary training. Each of us carried eighty-pound backpacks, filled with essential survival gear: tents, freeze-dried food, tablets to purify drinking water, and 5.56 mm ammunition for our M-16s. The late fall weather was bitter, and slimy water sloshed in our combat boots. A blister on my heel radiated little jabs of stinging pain. My friend Pete, a former Army officer, usually ready with a wisecrack and a smirk, hadn't spoken in hours, while John, our resident beer guzzler, carried not only his backpack but at least fifty extra pounds of body weight.! His round face was covered with mud and sweat.

R! ead the Publisher's Note and First Chapter from Fair Game

---

FROM THE EXECUTIVE PRODUCER OF THE BOURNE FILMS COMES THE MAJOR MOTION PICTURE STARRING SEAN PENN AND NAOMI WATTS

Based on Fair Game, Valerie Plame Wilson’s historic and unvarnished account of the personal and international consequences of speaking truth to power.Jessica, a beautiful young woman, alone on an isolated outback farm in Australia, becomes the unwilling participant in a series of dangerous games with three shooters. At first they are content to tease and shock her, but when they star shooting on her land and endangering wildlife she is forced to take a stand. One by one, Jessica's avenues of escape are destroyed and she is forced to fight for her life. Jessica sets up whatever makeshift defenses she can and waits for the inevitable showdown. In the mayhem of the climax her farm is reduced to smoking ruins, but her courage and endur! ance proves to be a match for the brute strength of man and machine

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Dr. Dolittle 2

• TESTED

Superstar Eddie Murphy is back as Dolittle, the beloved doctor with the up-ROAR-ious critter-communicating talents. This time around Dolittle plays Cupid to bumbling circus bear to help a group of forest creatures save their habitat. With the aid of his mangy, madcap animal friends, Dolittle must teach this overgrown teddy the ways of true romance in time to save his species and his home!It's only a marginal improvement, but Dr. Dolittle 2 defies the odds by rising above its popular 1998 predecessor (and once again, let's not confuse these movies with the earlier Rex Harrison musical). Eddie Murphy cakewalks through his title role with the confident professionalism of a comedian who knows when to share the spotlight--especially when he's being upstaged by a bunch of animals who steal all the punch lines. And once again the movie's aimed at a preteen audience, so many of those pu! nch lines involve flatulence, bodily functions, and frequent use of the word butt.

The difference this time: Dr. Dolittle has settled into his talk-to-the-animals routine; his 16-year-old daughter (Raven-Symone) is getting to be a feisty handful (it turns out she's coping with a hereditary gift); and his lawyer wife (Kristen Wilson) is representing him in a trial against corporate villains who want to clear-cut a local forest. Naturally, the local critter mafia (their Don is a beaver... fugeddaboutit!) want Dolittle to fight for their cause, and this involves the successful mating of an endangered bear and a domesticated circus bear who's forgotten all the bear necessities of life in the wild. The bears are voiced by Lisa Kudrow and Steve Zahn, and they almost steal the show, but the whole menagerie (with digitally animated "talking") is equally amusing. Adults might wish that the filmmakers had tried harder to make a truly memorable sequel, but this is a movie ! for kids, and they're going to love it without quibbling. -! -Jeff Sh annon

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The Dolphin: Story of a Dreamer

• Features include: -MPAA Rating: PG -Format: DVD-Runtime: 88 minutes

Inspired by a true story, Dolphin Tale is about courage, ingenuity, and never giving up. Sawyer (Nathan Gamble) is a young boy who's struggling with school and doesn't have many friends other than his cousin Kyle (Austin Stowell). When Kyle, a star swimmer, joins the army to earn money for college and is called to active duty, it looks like Sawyer is destined to spend his summer alone tinkering in the garage and attending summer school. Sawyer stumbles upon a dolphin that's been severely injured, becomes fascinated by dolphins, and is suddenly intellectually engaged like never before. In spite of his shyness, he forms a friendship with marine rescue doctor Clay (Harry Connick Jr.) and his daughter Hazel (Cozi Zuehlsdorff) and, more importantly, a special and very powerful bond with the rescued dolphin, who's dubbed Wi! nter. As the newly formed team struggles to save Winter's life and ensure her continued safety, financial concerns, an accident that leaves Kyle crippled for life, and a hurricane all seem to join forces against them. In the end, it is Sawyer's determination, coupled with a little bit of luck and a lot of ingenuity from an army doctor (Morgan Freeman) who specializes in prosthetics, that helps make each member of the team, including Kyle and Winter, whole again. The talented cast does a great job of creating completely believable characters, but Gamble, Zuehlsdorff, Connick, Freeman, Stowell, and of course Winter, who plays herself, all deserve special mention. While the story of an injured animal rescued and rehabilitated has certainly been told before, this film is emotionally powerful and will absolutely captivate children and adults alike. (Ages 5 and older) --Tami HoriuchiInspired by a true story, Dolphin Tale is about courage, ingenuity, and never giving! up. Sawyer (Nathan Gamble) is a young boy who's struggling wi! th schoo l and doesn't have many friends other than his cousin Kyle (Austin Stowell). When Kyle, a star swimmer, joins the army to earn money for college and is called to active duty, it looks like Sawyer is destined to spend his summer alone tinkering in the garage and attending summer school. Sawyer stumbles upon a dolphin that's been severely injured, becomes fascinated by dolphins, and is suddenly intellectually engaged like never before. In spite of his shyness, he forms a friendship with marine rescue doctor Clay (Harry Connick Jr.) and his daughter Hazel (Cozi Zuehlsdorff) and, more importantly, a special and very powerful bond with the rescued dolphin, who's dubbed Winter. As the newly formed team struggles to save Winter's life and ensure her continued safety, financial concerns, an accident that leaves Kyle crippled for life, and a hurricane all seem to join forces against them. In the end, it is Sawyer's determination, coupled with a little bit of luck and a lot of ingenu! ity from an army doctor (Morgan Freeman) who specializes in prosthetics, that helps make each member of the team, including Kyle and Winter, whole again. The talented cast does a great job of creating completely believable characters, but Gamble, Zuehlsdorff, Connick, Freeman, Stowell, and of course Winter, who plays herself, all deserve special mention. While the story of an injured animal rescued and rehabilitated has certainly been told before, this film is emotionally powerful and will absolutely captivate children and adults alike. (Ages 5 and older) --Tami Horiuchi

Based on the heartwarming 3-D movie premiering September 16, 2011!



When a dolphin named Winter loses her tail in a crab trap, it’s up to a young boy named Sawyer and the staff at Clearwater Marine Aquarium to help her survive against the odds. Sawyer is quiet at first, but his special connection with Winter soon brings him out of his shell. One day, after visiting his cousin at a! n army hospital, Sawyer gets an idea to have a doctor there ma! ke Winte r a prosthetic tail.This proposal inspires the staff at the aquarium and fills Sawyer with the hope that Winter may one day swim again.

With 8-page full color insert!

Inspired by a true story, Dolphin Tale is about courage, ingenuity, and never giving up. Sawyer (Nathan Gamble) is a young boy who's struggling with school and doesn't have many friends other than his cousin Kyle (Austin Stowell). When Kyle, a star swimmer, joins the army to earn money for college and is called to active duty, it looks like Sawyer is destined to spend his summer alone tinkering in the garage and attending summer school. Sawyer stumbles upon a dolphin that's been severely injured, becomes fascinated by dolphins, and is suddenly intellectually engaged like never before. In spite of his shyness, he forms a friendship with marine rescue doctor Clay (Harry Connick Jr.) and his daughter Hazel (Cozi Zuehlsdorff) and, more importantly, a special and very powerful bond with t! he rescued dolphin, who's dubbed Winter. As the newly formed team struggles to save Winter's life and ensure her continued safety, financial concerns, an accident that leaves Kyle crippled for life, and a hurricane all seem to join forces against them. In the end, it is Sawyer's determination, coupled with a little bit of luck and a lot of ingenuity from an army doctor (Morgan Freeman) who specializes in prosthetics, that helps make each member of the team, including Kyle and Winter, whole again. The talented cast does a great job of creating completely believable characters, but Gamble, Zuehlsdorff, Connick, Freeman, Stowell, and of course Winter, who plays herself, all deserve special mention. While the story of an injured animal rescued and rehabilitated has certainly been told before, this film is emotionally powerful and will absolutely captivate children and adults alike. (Ages 5 and older) --Tami HoriuchiInspired by a true story, Dolphin Tale is about c! ourage, ingenuity, and never giving up. Sawyer (Nathan Gamble)! is a yo ung boy who's struggling with school and doesn't have many friends other than his cousin Kyle (Austin Stowell). When Kyle, a star swimmer, joins the army to earn money for college and is called to active duty, it looks like Sawyer is destined to spend his summer alone tinkering in the garage and attending summer school. Sawyer stumbles upon a dolphin that's been severely injured, becomes fascinated by dolphins, and is suddenly intellectually engaged like never before. In spite of his shyness, he forms a friendship with marine rescue doctor Clay (Harry Connick Jr.) and his daughter Hazel (Cozi Zuehlsdorff) and, more importantly, a special and very powerful bond with the rescued dolphin, who's dubbed Winter. As the newly formed team struggles to save Winter's life and ensure her continued safety, financial concerns, an accident that leaves Kyle crippled for life, and a hurricane all seem to join forces against them. In the end, it is Sawyer's determination, coupled with a lit! tle bit of luck and a lot of ingenuity from an army doctor (Morgan Freeman) who specializes in prosthetics, that helps make each member of the team, including Kyle and Winter, whole again. The talented cast does a great job of creating completely believable characters, but Gamble, Zuehlsdorff, Connick, Freeman, Stowell, and of course Winter, who plays herself, all deserve special mention. While the story of an injured animal rescued and rehabilitated has certainly been told before, this film is emotionally powerful and will absolutely captivate children and adults alike. (Ages 5 and older) --Tami Horiuchi

The story that inspired the new MAJOR MOTION PICTURE!



When Winter was a baby, she was rescued from a crab trap, her tail seriously damaged, and rushed to Clearwater Marine Aquarium. Winter survived, but eventually her tail fell off. Then Winter received a prosthetic tail. It was very challenging but now Winter is thriving and using her new tail wi! th great command. Every year, thousands of visitors travel to ! visit Wi nter who has become an inspiration to adults and children alike, especially to children who are amputees themselves. And now Winter's story is soon to be a major motion picture starring Morgan Freeman, Ashley Judd, and Harry Connick Jr.!

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 88 minutes

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Blood into Wine

• Extended Interviews
• Alternate Scenes
• Deleted Scenes
• Never before seen concert footage
• Wine Documentary

For wine dealer Alex Gates (Jack Nicholson) it hasn't been a vintage year-his business is on the rocks as is his marriage to Suzanne (Judy Davis). His stepson, Jason (Stephen Dorff), hates him, and his mistress, Gabrielle (Jennifer Lopez), is asking for a commitment. In desperation, Alex conspires with his safecracker buddy, Victor (Michael Caine), to steal a million dollar diamond necklace from a wealthy client.You can feel the gears grinding, trying to turn this attempt at film noir into something sleek and insinuating, instead of the labored near miss it turns out to be. Jack Nicholson is a Florida wine merchant whose business isn't as good as he has his unhappy wife (Judy Davis) believe. He's also consistently at odds with his churlish stepson (Stephen D! orff). Meanwhile, Nicholson is plotting to steal an expensive diamond necklace and dump his wife, aided by his mistress (Jennifer Lopez) and a sleazy safecracker (Michael Caine). It's the kind of thing James M. Cain used to toss off effortlessly, but in director Bob Rafelson's hands the strain shows at every seam as crime and romantic treachery put all of the characters on a violent collision course. --Marshall FineBoth an eye-opening account of the financial and personal scandals at the nation's number-one winery and a devastating portrait of patriarch Ernest Gallo, Blood and Wine tells the riveting saga of the ruthless Gallo family and the history of the business that dominates the American wine industry. Photographs.DREAMY DRAW RELEASING presents Blood Into Wine (DVD).

Maynard James Keenan, internationally known as the front man for Tool, A Perfect Circle and Puscifer, is one of music?s most mysterious figures.  A multi-million selling! artist, little is known about the reclusive rock star who oft! en dress es in costume and rarely gives interviews.  In the mid-1990's, on a whim, Keenan left Los Angeles and moved to an Arizona ghost town (population 300).  A wine enthusiast, he began to envision a world class wine region on the Verde Valley's craggy slopes and with wine mentor Eric Glomski (former David Bruce winemaker and current owner of the award-winning Page Springs Cellars), Keenan began the long road to bringing credibility and notoriety to Caduceus and Arizona Stronghold Vineyards amidst wine industry prejudice and the harsh Arizona terrain. Blood Into Wine takes viewers into the struggles and triumphs with a unique blend of comedy and master storytelling.

Special Features Include:

• Bonus Interviews with Maynard and Eric.
• Exclusive Puscifer concert footage.
• Deleted scenes of Tim and Eric.
• And More!

Actors:
Maynard James Keenan, Eric Glomski, Milla Jovovich, Patt! on Oswalt, Bob Odenkirk, Tim Heidecker & Eric Wareheim, James Suckling.

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